介绍介绍冬奥会羽生结弦结弦运动员英语作文
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介绍介绍冬奥会羽生结弦结弦运动员英语作文 I am a person who knows very little about sports. The first time I saw Hanyu Yuzuru was in my junior year when someone posted a video of a man dancing on ice in Qzone. I was stunned at that moment. The video was almost 20 minutes long and I watched it over and over again, almost obsessively. I finally found out the name of the person in the video only after asking around online. At first, it can be said that because the understanding of skating is too little, so there are some filters is inevitable. The more you know about skating, the more you observe other players, and the more you watch the competition, the more you feel that Hanyu Yuzuru is rare. 14 years in Sochi, 18 years in PyeongChang, his performance is not perfect, but he is still worshiped as a god. Why? Is it because of the technical difficulty? The biggest feeling after watching the Winter Olympics this year is that everyone's technical movements have gone up more than a step. The previous glitches of Masuma Uno are almost gone. The team competition was a big hit for Yujin Keyama, and his short program technique was almost perfect, and the jazz of his repertoire was suitable for his age of 18. Chen Wei is not to mention that I am most impressed with his excellent skills, being at the prime age of 23, and with the baptism of time, he has more elegance than Yujin Keyama, who is a technical rival to him, and scored nearly 114 points. On the contrary, Hanyu Yuzuru chose a set of choreography that is not very technically difficult, and even the very first movement made a major mistake and did not even get a base score. It was about trying to save the 4A for the free skate, but whether the 4A is successful or not by then, this year's Winter Olympics showed the world in an irrefutable gesture that the skills will eventually get better and better, and no matter how difficult the moves are, they will be surpassed in a few months or years. So is it because of appearance? I once told someone that Hanyu Yuzuru's performance was art, and he asked me half-jokingly, "Art of the face?" I thought about it carefully and realized that I couldn't completely deny it. Skating is more of an art to me than a sport, so I really only value one thing in skating - beauty. And the shape in this kind of dance-like. Can you say that it has no effect on the art? No. In fact, a large part of the reason why Hanyu Yuzuru's performance is so mentally enjoyable is the emotion he conveys at the moment he moves his hands and feet, and his form is so suitable for conveying such an emotion. What impresses me is the beauty of the male and female, the combination of rigidity and flexibility. Most of the male singles players are too athletic, such as Chen Wei, even though the movements are smooth but feel too comfortable, in his performance I feel more like he is above the ice, showing the world his superior skills and charm. Most women's singles players are too soft, and lose a sense of form from their appearance. But Hanyu Yuzuru, when he dances on the ice, you will feel that he is born to be on top of the ice, the ice is not the stage for him to show his skills and charm, he is never reckless when he is relaxed to show off his skills, and he is free to put away the sharp points. He and the rink touch each other, and in this touch, they understand each other. The obscure light and shadows of "Paris Walk"; the desperate song of Frollo in "Notre Dame de Paris": you will destroy me; the lonely and desperate, desperate and determined, self-relieving and exuberant dance of "Shadow and Rondo". He dances with the sound of music, with the ice blade, with the air, with himself, like a note jumping out of the sound of music. They were all competing, conquering, and he was dancing. A dance for himself, a dance of one's own. It was as if he had danced alone for a thousand years, and would always dance alone, and only dance alone. His difference can also be seen in the comments of CCTV commentator Ying Chen. "Face like jade, body posture like pine, fluttering like a Hong, like a wandering dragon." Since then, no matter what kind of skillful movements appear on the ice, what kind of famous players, I have not heard her emotionally stirring like that again. She said we were lucky to have met Hanyu Yuzuru at his best age. She said, "We are lucky to have met him at his best age." Did she already think at that time that the best players will eventually have their flowering and once their prime years are over, it will be difficult to return to the top. 27 years old is just the beginning of one's life, but for a sportsman, it is already late. Two days later, he will challenge the 4A in the free skate, no matter whether he succeeds or not, no matter what the ranking is, his name has already been left in the history of skating, he is still the unsurpassed peak. He himself must have understood, because I saw that even after a major mistake, he still had a smile on his face when he exited. It was a smile that was used to seeing the autumn moon and spring breeze. A pot of muddy wine, fortunate to have met each other. I was lucky to know your peach blossom face, from then on the road more warm spring. 本文来源：https://www.wddqw.com/doc/9b3f105f158884868762caaedd3383c4bb4cb41c.html