新概念英语第四册课文及翻译及详解,新概念英语第四册Lesson20~22课文及翻译

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新概念英语第四册Lesson20课文及翻译

  Snake poison

  蛇毒

  What are the two different ways in which snake poison acts?

  How it came about that snakes manufactured poison is a mystery. Over the periods their saliva, a mild, digestive juice like our own, was converted into a poison that defies analysis even today. It was not forced upon them by the survival competition; they could have caught and lived on prey without using poison, just as the thousands of non-poisonous snakes still do. Poison to a snake is merely a luxury; it enables it to get its food with very little effort, no more effort than one bite. And why only snakes? Cats, for instance, would be greatly helped; no running fights with large, fierce rats or tussles with grown rabbits -- just a bite and no more effort needed. In fact, it would be an assistance to all carnivores though it would be a two-edged weapon when they fought each other. But, of the vertebrates, unpredictable Nature selected only snakes (and one lizard). One wonders saliva into why Nature, with respect from that of others, as other on the blood.

  In the conversion of saliva into poison, one might suppose that a fixed process took place. It did not; some snakes manufacture a poison different in every respect from that of others, as different as arsenic is from strychnine, and having different effects. One poison acts on the nerves, the other on the blood.

  The makers of the nerve poison include the mambas and the cobras and their venom is called neurotoxic. Vipers (adders) and rattlesnakes manufacture the blood poison, which is known as haemolytic. Both poisons are unpleasant, but by far the more unpleasant is the blood poison. It is said that the nerve poison is the more primitive of the two, that the blood poison is, so to speak, a newer product from an improved formula. Be that as it may, the nerve poison does its business with man far more quickly than the blood poison. This, however, means nothing. Snakes did not acquire their poison for use against man but for use against prey such as rats and mice, and the effects on these of viperine poison is almost immediate.

  JOHN CROMPTON The snake

  New words and expressions 生词和短语

  saliva

  n. 唾液

  digestive

  adj. 助消化的

  defy

  v. 使不可能

  analysis

  n. 分析

  prey

  n. 被捕食的动物

  fierce

  adj. 凶猛的

  tussle

  n. 扭打

  carnivore

  n. 食肉动物

  vertebrate

  n. 脊椎动物

  lizard

  n. 蜥蜴

  concoct

  v. 调制

  potency

  n. 效力

  conversion

  n. 转变

  arsenic

  n. 砒霜

  strychnine

  n. 马钱子碱

  mamba

  n. 树眼镜蛇

  cobra

  n. 眼镜蛇

  venom

  n. 毒液

  neurotoxic

  adj. 毒害神经的

  viper

  n. 蝰蛇

  adder

  n. 蝮蛇

  rattlesnake

  n. 响尾蛇

  haemolytic

  adj. 溶血性的

  viperine

  adj. 毒蛇

  参考译文

  蛇是怎样产生毒液的,这是一个谜。蛇的唾液本来和我们人的消化液一样柔和,但经过漫长的时间,演变成了今天仍无法分析清楚的毒液。毒液不是生存竞争强加给它们的,它们也可以不用毒液捕捉动物而生存,就像今天成千上万的无毒蛇那样。毒液对毒蛇来说只不过是一种舒适生存的优越手段,它使蛇不用费多大力气就能捕获到食物,轻咬一口即可。为什么只有蛇才有毒液呢?譬如说,如果猫有毒液,那对猫会大有帮助,它就不必再和又大又凶的老鼠边跑边博斗了,也不必再和大兔子扭斗了,只要咬一口,就不必再费大力气。因此,任何食肉动物有了毒液,都能从中获益。不过,当它们相互撕打时,毒液就成了利弊参半的武,可以杀死对方,也可以被对方的毒液杀死。然而,在脊椎动物中,大自然神秘模测地只选择了蛇(还有一种蜥蜴),人们弄不清楚大自然为什么在某些蛇的身上调制出如此高效的毒液来。

  人们可能认为,唾液转变成毒液,其中有固定的程序。其实没有。有些蛇产生的毒液也在各方面与另外一些毒蛇产生的毒液不同,就像砒霜不同于马钱子碱一样。不同毒蛇产生的毒液产生的效果不同,一种毒液作用于神经,另一种毒液作用于血液。

  产生神经毒液的蛇有一种非洲树眼镜蛇和眼镜蛇,它们的毒液称为神经毒素。蝰蛇(蝮蛇)和响尾蛇产生血液毒素,称为溶血性毒液。这两种毒液都很可怕,但溶血性毒液尤其厉害。据说,神经毒液在两种毒液中是较为原始的一种,而溶血性毒液,打个比方说,是根据改良配方生产的一种较新的产品。不过,神经毒辣液比溶血性毒液在人身上起作用快得多。但是,这没有什么关系,因为蛇有毒液不是用来对付人的,而是对付它的猎物,诸如鼠类,毒液对这些猎物会立刻起作用。

新概念英语第四册Lesson21课文及翻译

  William S. Hart and the early 'Western' film

  威廉.S. 哈特和早期限的‘西部’影片

  How did William Hart's childhood prepare him for his acting role in Western films?

  William S. hart was, perhaps, the greatest of all Western stars, fro unlike Gary Cooper and John Wayne he appeared in nothing but Westerns. From 1914 to 1924 he was supreme and unchallenged. It was Hart who created the basic formula of the Western film, and devised the protagonist he played in every film he made, the good-had man, the accidental-noble outlaw, or the honest-but-framed cowboy, or the sheriff made suspect by vicious gossip; in short, the individual in conflict with himself and his frontier environment.

  Unlike most of his contemporaries in Hollywood, Hart actually knew something of the old West. He had lived in it as a child when it was already disappearing, and his hero was firmly rooted in his memories and experiences, and in both the history and the mythology of the vanished frontier. And although no period or place in American history has been more absurdly romanticized, myth and reality did join hands in at least one arena, the conflict between the individual and encroaching civilization.

  Men accustomed to struggling for survival against the elements and Indians were bewildered by politicians, bankers and businessmen, and unhorsed by fences, laws and alien taboos. Hart's good-bad man was always an outsider, always one of the disinherited, and if he found it necessary to shoot a sheriff or rob a bank along the way, his early audiences found it easy to understand and forgive, especially when it was Hart who, in the end, overcame the attacking Indians.

  Audiences in the second decade of the twentieth century found it pleasant to escape to a time when life, though hard, was relatively simple. We still do; living in a world in which undeclared aggression, war, hypocrisy, chicanery, anarchy and impending immolation are part of our daily lives, we all want a code to live by.

  CARL FOREMAN Virtue and a Fast Gun from The Observer

  New words and expressions 生词和短语

  Supreme

  adj.

  protagonist

  n. 主角

  outlaw

  n. 逃犯,亡命之徒

  framed

  adj. 遭到陷害的

  vicious

  adj. 恶毒的

  mythology

  n. 神话

  vanished

  adj. 消失了的

  absurdly

  adv. 荒诞地

  arena

  n. 竞技场在

  encroaching

  adj. 渐渐渗入的

  Indian

  n. 印第安人

  bewilder

  v. 使手足无措

  alien

  adj. 外来的

  taboo

  n. 戒律

  disinherit

  v. 剥夺...继承权

  undeclared

  adj. 未经宣布的

  hypocrisy

  n. 伪善

  chicanery

  n. 诈骗

  impending

  adj. 迫近的,近在眉睫的

  immolation

  n. 杀戮

  code

  n. 准则

  参考译文

  威廉.S.哈特大概是美国西部电影明星中的佼佼者。他和加里.古柏、约翰.韦恩不同,他只在西部电影中扮演角色。在1914年至1924年期间,他,独霸影坛。正是他创造了西部电影的基调,即在他自己的拍摄的影片中他所塑造的主人公形象:被认为是坏人的好人,出人意料的高尚的逃犯,诚实却遭陷害的牛仔或因流言蜚语蒙受嫌疑的司法官。总之,主人公是一个自相矛盾,又与他的拓荒环境相矛盾的人物。

  哈特与大部分同时代在好莱坞的演员不同,他确实了解西部早期拓荒生活的一些情况。作为一个孩子他曾在西部生活过,当时西部拓荒生活正在消失。他塑造的英雄人物深深地扎根于他本人的记忆和经历之中,也扎根于有关已经消失的拓荒生活的历史和神话之中。虽然在美国历没有任何时期或地区像西部拓荒时期那样被荒谬地浪漫主义化了,但神话和事实至少在某一个舞台上共存,也就是存在于个人与渐渐闯入的文明这两者的冲突之中。

  习惯与大自然和印第安人作斗争以求生存的拓荒者被政客、银行家和商人搞得晕头转向,最后被圈地、尖律我外来的清规戒律所击败。哈特扮演的被误为坏人的好人总是一个局外人,总是一个被剥夺继承权的人。如果他认为在进行过程中有必要枪击一个司法官或抢劫一个银行,他的早期观众很容易接受,觉得应该原谅他,特别是当哈特最后战胜了前来进攻的印第安人时,观众更能原谅他。

  生活在20世纪20年代的观众认为,逃到一个即使艰苦但比较简朴的时代中去是件愉快的事,我们今天仍有这种感觉。如今,不宣而战的侵略、战争、虚伪、诈骗、无政府状态以及即将临头的毁灭成了我们日常生活的一部分,我们都希望有一个赖以生存的行为准则。

新概念英语第四册Lesson22课文及翻译

  Knowledge and progress

  知识和进步

  In what two areas have people made no 'progress' at all?

  Why does the idea of progress loom so large in the modern world? Surely progress of a particular kind is actually taking place around us and is becoming more and more manifest. Although mankind has undergone no general improvement in intelligence or morality, it has made extraordinary progress in the accumulation of knowledge. Knowledge began to increase as soon as the thoughts of one individual could be communicated to another by means of speech. With the invention of writing, a great advance was made, for knowledge could then be not only communicated but also stored. Libraries made education possible, and education in its turn added to libraries: the growth of knowledge followed a kind of compound interest law, which was greatly enhanced by the invention of printing. All this was comparatively slow until, with the coming of science, the tempo was suddenly raised. Then knowledge began to be accumulated according to a systematic plan. The trickle became a stream; the stream has now become a torrent. Moreover, as soon as new knowledge is acquired, it is now turned to practical account. What is called 'modern civilization' is not the result of a balanced development of all man's nature. but of accumulated knowledge applied to practical life. The problem now facing humanity is: What is going to be done with all this knowledge? As is so often pointed out, knowledge is a two-edged weapon which can be used equally for good or evil. It is now being used indifferently for both. Could any spectacle, for instance, be more grimly whimsical than that of gunners ourselves very seriously what will happen if this twofold use of knowledge, with its ever-increasing power, continues.

  G.N.M.TYRRELL The Personality of Man

  New words and expressions 生词和短语

  loom

  v. 赫然耸起

  manifest

  adj.明显的

  morality

  n. 道德

  communicate

  v. 交流,交际

  compound

  adj. 复合的

  enhance

  v. 增进

  tempo

  n. 速率

  trickle

  n. 涓涓细流

  torrent

  n. 滔滔洪流

  humanity

  n. 人类

  indifferently

  adv. 不在乎地

  grimly

  adv. 可怖地

  whimsical

  adj. 怪诞的

  shatter

  v. 毁坏

  twofold

  adj. 双重的

  参考译文

  为什么进步这个概念在现代世界显得如此突出?无疑是因为有一种特殊的进步实际上正在我们周围发生,而且变得越来越明显。虽然人类有智力和道德上没有得到普遍提高,但在知识积累方面却取得了巨大的进步。人一旦能用语言同别人交流思想,知识的积累便开始了。随着书写的发明,又迈进了一大步,因为这样一来,知识不仅能交流,而且能储存了。藏书使教育成为可能,而教育反过来又丰富了藏书,因为知识的增长遵循着一种“滚雪球”的规律。印刷术的发明又大大提高了知识增长的速度。所有这些发展都比较缓慢,而随着科学的到来,增长的速度才突然加快。于是,知识便开始有系统有计划地积累起来。涓涓细流汇成小溪,小溪现已变成了奔腾的江河。而且,新知识一旦获得,便得到实际应用。所谓“现代文明”并不是人的天性平衡发展的结果,而是积累起来的知识应用到实际生活中的结果。现在人类面临的问题是:用这些知识去做什么?正像人们常常指出的,知识是一把双刃刀,可以用于造福,也可以用来为害。人们现在正漫不经心地把知识用于这两个方面,例如:炮兵利用科学毁坏人的身体、而外科医生就在附近用科学抢救被炮兵毁坏的人体,还有什么情景比这更可怕、更怪诞的吗?我们不得不严肃地问问我们自己:随着日益增长的知识的力量,如果我们继续利用知识的这种双重性,将会发生什么样的情况呢?

新概念英语第四册Lesson20~22课文及翻译.doc

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